One hundred into twenty-five

Inspired to try something with deliberately induced negative space. Despite the strict 100 squares, the manner in which the negative space has insinuated itself forces the viewer to contemplate 25 groups of 4 squares as the primary entities, reading almost as a sequence of comic-book scenes for whcih we we've somehow misplaced the faculty to interpret coherently. Stare long enough (at fullview, naturally), and faces shall surely glimmer back.